Third Coast!

October 28, 2010 10:59 pm  /  Media, Music, Radio

I’m at the Third Coast International Audio Festival in Chicago.

Come track me down and say “hi!”

Also, please take a listen to my experimental submission to the Book Odds ShortDocs challenge and tell me what you think.

El Pajaro Volador (The Flying Bird)

I composed all the music in this piece using samples provided by the band, The Books, manipulated in various ways along with other sounds from my interview tape. My goal was to try to help augment the excitement and enthusiasm that Rosalia Roio, my interviewee, expresses as she plays her instrument. I also wanted the music to creep into the interview bit by bit, eventually overtaking the dialogue.  (I’m not sure how well this worked, in retrospect.)

I added a lot of textural layers and sonic gestures that are difficult to hear in my final “radio” mix.  So for anyone who’s interested, here’s a special “music only” version:

El Pajaro Volador Music Only Mix

The late shift at El Taller

September 26, 2010 11:00 pm  /  Music, New York

In addition to editing an audio tour this weekend, I also engineered a concert at El Taller. People usually hang around for hours after the concerts end, drinking wine, strumming guitars, and singing folk songs.  This Saturday, I left my flash recorder on a table and joined in on the drums (empty water cooler jugs).  Here’s an excerpt from around 2:30 in the morning:

Guantanamera

Building Calluses

September 24, 2010 11:58 pm  /  Music

I haven’t been playing as much guitar lately, so tonight I dug out my acoustic. After playing around with a new chord progression for a while, I decided to record and improvise some layers on top of it.

Calluses

The first few seconds

September 20, 2010 11:05 pm  /  Music, Radio, Twin Cities

One memory in particular I have about Rev 105 is being in 6th or 7th grade and listening to special feature about Soul Coughing.  They devoted a whole hour of air-time to the group, featuring live and unreleased tracks interspersed with interviews and pre-produced segments about the band’s history and development (narrated, I think, by Mary Lucia).  It was cassette-tape “gold,” and tape it I did. (Where is that tape today?  Did I record over it?)

Remember how we used to collect our music?

You’d hear a catchy song on the radio but miss the ID, so you’d call the station. “That song. What was that song?” and you’d hum a few bars for the DJ, approximate a few misheard lyrics. “I think there was a trumpet?” And then she’d tell you what it was.

The next day you’d call the station to make a request, and they’d promise play it sometime within the hour. You’d wait at your parent’s stereo, your finger hovering in anticipation over the red circle on the tape deck.  90 minutes passed, and then:

“By request, here’s…,” the first few bars already creeping up beneath her voice.  You’d fumble for the “rec” button.

And so you collected whole shoe-boxes of mixtapes with no particular unifying theme, each song missing the first few seconds because, of course, you needed to hit “rec” and “play” at the same time.

…this.

It probably won’t mean much to you if you didn’t grow up in the Twin Cities, but it played a big part in shaping the person I am today (along with this and this).  And without it, this would have never existed.

A First for Everything

September 14, 2010 11:35 pm  /  Music

Apparently I had never been on the receiving side of the “just wanted to let you know I’ve starting seeing someone new” conversation before this evening. That’s why this post is both late and short.

I’m fine.

In other news, did you hear D-plan is getting back together? Feels like a good night to revisit some of those records.